![]() And so what I found is – I stayed with that for ten or fifteen years – was I really ended up fronting visual effects projects in the sense that model construction needed such a lead time that I really needed to sort of figure out the scope of the work. And running the model shop for Doug Trumbull was a huge deal in my world and in the visual effects world at the time. Mark Stetson: I sort of came up quickly through the ranks in miniature effects and I think Blade Runner was my third or fourth picture. Could you give me a quick background of what you felt like your area of expertise was? Prior to that you’d worked on things like Blade Runner and Hudsucker Proxy and Waterworld. It was Digital Domain 1.0 back then, and they really gave me a great team. And I was very supported by Digital Domain. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. Mark Stetson: I wasn’t afraid of the size of it. ![]() His 10th (and potentially final) film will be called The Movie Critic.Looking back at problem solving in VFX with Ben Snow Tarantino has also branched out into other mediums, writing a companion fiction novel to Once Upon a Time in Hollywood along with Cinema Speculation, a non-fiction tome about some of his favorite 1970s flicks. Since Jackie Brown hit theaters in 1997, Tarantino has released films at an erratic pace, often announcing potential movies that never come to fruition while cranking out seven other films, including the Kill Bill double feature ( with another potentially on the way), Inglourious Basterds (2009), and 2019's Once Upon a Time in Hollywood. He was the first novelist I read as a kid that really spoke to me." Tarantino told The Guardian, "I have wanted for a long time to adapt Elmore Leonard. Known for his original screenplays, it was an interesting move for him to adapt a novel for his third film. When Tarantino decided to make Jackie Brown, he could have made pretty much any movie he wanted - that's how much Hollywood was in love with its latest wunderkind director. But it was on TV where Forster really made an impact, returning to Leonard territory in the gone-way-too-soon Karen Sisco, along with roles on Breaking Bad and the Twin Peaks: The Return revival.įorster died in October 2019 at the age of 78, the same day one of his final gigs, El Camino: A Breaking Bad Movie, premiered in theaters and on Netflix.Įverett Collection Amy Sussman/Getty Images The meaty roles had dried up for the veteran actor, but his soulful and weary portrayal in Jackie Brown earned Forster an Oscar nomination - and a new lease on his career.įorster appeared in Me, Myself & Irene (2000), Mulholland Drive (2001), and Like Mike (2002) in the aftermath of his Jackie Brown success. Forster had been a steady presence in B-flicks like the sci-fi Disney film The Black Hole (1979), the delightfully ludicrous horror feature Alligator (1980), and Chuck Norris action movie The Delta Force (1986). See what she had to say about Jackie Brown, Coffy, and more!Įverett Collection Emma McIntyre/Getty ImagesĪs the grizzled bail bondsman tasked with tracking down the titular character, Robert Forster also experienced a career resurgence under the caring hand of Tarantino. She also appeared in two seasons of the TV series Bless This Mess alongside Dax Shepard.ĮW interviewed Grier in February 2023 about her incredible career. Later, she would be a regular on the groundbreaking drama The L Word before joining the ensemble casts of Bad Grandmas (2017) and Poms (2019). and on the Showtime series Linc's, among other projects. Grier enjoyed a small burst of work after the success of Jackie Brown, for which she was nominated for a Golden Globe, appearing in supporting roles in the dark teen comedy Jawbreaker (1999), John Carpenter's Ghosts of Mars (2001) - following their collaboration on 1996's Escape From L. There are also nods to Grier's career throughout the movie, with dialogue and music snippets from both Coffy (1973) and Foxy Brown (1974). But Tarantino recognized the actress' ability to shine and changed the race and last name of the money-smuggling flight attendant from Elmore's book to write the screenplay specifically for Grier. Everett Collection John Lamparski/Getty ImagesĪn icon in the Blaxploitation genre, Pam Grier's career had dimmed by the 1990s.
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